Some people feel that the government should regulate the level of violence for films of television and cinema. Others feel that violent films should be not regulated. Discuss both views and give your opinion.
Sample Answer
Opinions regarding the extent to which violence should be depicted within the movie industry have remained a topic of contentious debate. While some posit that the onus should be on the government to oversee violence levels in films on mainstream television and in cinemas, others vehemently oppose such oversight, pointing to realism and relatability as legitimate justifications. This essay will discuss both perspectives before presenting my final stance on this issue.
At one end of the spectrum are supporters of strict government oversight, who argue fervently for violence censorship within the movie-making realm. These proponents contend that once violent content is approved by the responsible authorities, regardless of its magnitude, this “green light” could potentially trigger an irreversible trajectory of gradually intensifying violence to the point of no return. The underlying reason for this is the inextricable link between elevated levels of violence and increased viewership. When brutality, aggression, and bloodshed are normalised in popular culture, their widespread proliferation can have detrimental psychological effects on the average person, fostering belligerent thoughts and encouraging violent behaviour in everyday life. Individual consequences aside, promoting violence may also erode other equally important aspects of filmmaking. Chief among these is the masterful use of carefully constructed plots, alongside witty dialogue and authentic acting, all of which can be overshadowed by excessive violent content.
At the other end of the spectrum, proponents of free artistic expression cite the immense demand for realism in filmmaking. These advocates point to prominent examples of films in which the depiction of violence is of instrumental importance to their overall success. One such example is Saving Private Ryan, which portrayed the harrowing reality of World War II. Despite featuring ultra-realistic, brutal, gory, and hair-raising scenes, including graphic depictions of mutilation, disembowelment, and skull-crushing violence, the film won numerous prestigious awards from pre-eminent institutions due to its realism, authenticity, and grounded portrayal of history. Those who argue for autonomy in artistic creation maintain that removing such violent scenes would, at the very least, water down historical events. This could serve as misinformation and contribute to misunderstanding by misleading viewers into believing that wars were relatively benign and non-violent.
Upon weighing both viewpoints, although the argument in favour of government oversight raises legitimate psychological and socio-cultural concerns, the opposing camp emphasises the value of realism and historical accuracy. Ultimately, I believe that those who support regulation present a more convincing argument; however, such oversight should be judiciously implemented so as not to impede the progress of the film industry while simultaneously preserving audience engagement. To this end, governments should establish a structured classification framework in which films are categorised according to their respective levels of violence. For example, R-rated movies should be inaccessible to children and should only be available to adults aged 18 and above on various streaming platforms. Furthermore, censorship should be carefully applied to eliminate scenes that are excessively gory or brutal in order to preserve the integrity of cinema.
Vocabulary
| have remained a topic of contentious debate | vẫn là chủ đề gây tranh cãi |
| the onus should be on the government | trách nhiệm nên thuộc về chính phủ |
| realism and relatability | tính chân thực và tính gần gũi |
| violence censorship | kiểm duyệt bạo lực |
| an irreversible trajectory | xu hướng không thể đảo ngược |
| the inextricable link | mối liên hệ không thể tách rời |
| normalised in popular culture | được bình thường hóa trong văn hóa đại chúng |
| detrimental psychological effects | tác động tâm lý tiêu cực |
| fostering belligerent thoughts | nuôi dưỡng suy nghĩ hiếu chiến |
| violent behaviour | hành vi bạo lực |
| erode other equally important aspects | làm suy giảm các khía cạnh quan trọng khác |
| the masterful use of carefully constructed plots | việc sử dụng xuất sắc các cốt truyện được xây dựng công phu |
| witty dialogue | lời thoại dí dỏm |
| authentic acting | diễn xuất chân thực |
| proponents of free artistic expression | những người ủng hộ tự do sáng tạo nghệ thuật |
| of instrumental importance | có tầm quan trọng then chốt |
| the harrowing reality of World War II | thực tế khốc liệt của Thế chiến II |
| pre-eminent institutions | các tổ chức hàng đầu |
| autonomy in artistic creation | quyền tự chủ trong sáng tạo nghệ thuật |
| serve as misinformation | trở thành thông tin sai lệch |
| upon weighing both viewpoints | sau khi cân nhắc cả hai quan điểm |
| legitimate psychological and socio-cultural concerns | những quan ngại chính đáng về tâm lý và văn hóa-xã hội |
| present a more convincing argument | đưa ra lập luận thuyết phục hơn |
| judiciously implemented | được thực hiện một cách thận trọng |
| preserve the integrity of cinema | bảo tồn tính toàn vẹn của điện ảnh |





